DIG!:
Last year’s winner of the Grand Jury Prize for best
documentary at the Sundance film festival is the capturing
of 2 bands in the late 90’s, The Dandy Warhols &
The Brian Jonestown Massacre. The bands are negative images
of 1 another. They are friends & rivals. The frontmen,
Courtney Taylor of the Dandies & Anton Newcombe of the
Joneses, share mutual respect & animosity for 1 another.
Director
Ondi Timoner spent 7 years filming both bands. In that time,
The Dandy Warhols & The Brian Jonestown Massacre have
gone in distinctly separate directions. The Dandies signed
with Capitol Records & faced opposition with the label
when their album didn’t sell as well as projected.
The joneses signed with indie label TVT & pulled their
version of The Great Rock & Roll Swindle which only
reaped the rewards of Newcombe having home studio equipment
bought for him so he could record on his own. Whereas only
1 Dandy left the group in the time this film was made, Jonestown
went through numerous lineup changes with members quitting
& rejoining often.
The
feud between both bands seems to baffle the Dandies as the
Joneses perpetuate the 1 sided hostilities. But while Taylor’s
band reflects on how they’re probably the most well
adjusted band in America, Newcomb's band sinks to the bottom
of a well of drugs & volatility. Newcombe, a talented
multi-instrumentalist, seems bent on simultaneous perfection
& career sabotage. Shambolic tours & heroin addiction
followed. While Newcombe, now clean, condemns the film,
claiming that he’s misrepresented, the camera doesn’t
lie. It shows a talented man in the grips of a terrible
disease shouting openly, “Let me entertain you!”
ONG
BAK- THAI WARRIOR: The advertisements for
this film reveal that this movie had no computer effects,
no stunt doubles & no wirework. That said, the fight
scenes in Ong Bak are spectacular. Tommy Jaa, on skill alone,
is set to be a martial arts star on the level of Bruce Lee
& Jet Li. But Jaa seems to lack Bruce Lee’s personality
& screen presence.
I say
that Jaa appears to lack personality because it may just
be the thin plotline in Ong Bak that holds him back. Tommy
Jaa plays Ting, a young man from a small village in Thailand
where their Buddhist statue was decapitated by a Bangkok
thug. Ting offers to go to Bangkok to get the head back
(Yeah, I know it’s thin). There through circumstances
beyond his control, he’s forced to use his mui thai
skills that he learned as a monk to kick a ton of ass.
What
Ong Bak lacks in story it makes up for in action that looks
outstanding &, most importantly, very painful.
R

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